Who I am.

I write about the landscape of grief, nature, and the wisdom of fools. The author of four books, my essays, poems, and reviews have been published in over 50 journals, including in the Huffington Post and Colorado Review. I’ve won the River Teeth Nonfiction Book Award, the Chautauqua and Literal Latte’s essay prizes, and my work has been nominated for four Pushcart Prizes and named a notable by Best American Essays. My account of hiking in Yosemite to deal with my wife’s death, Mountains of Light, was published by the University of Nebraska Press. http://www.markliebenow.com.

Wednesday, July 29, 2015

Where the Dead Pause

Book: Where the Dead Pause and the Japanese Say Goodbye, Marie Mutsuki Mockett

            Marie Mutsuki Mockett’s Where the Dead Pause and the Japanese Say Goodbye is a sumptuous book, filled with details and insights into Japanese history, culture, and spirituality. Marie grew up in the United States to an American father and a Japanese mother. As she is dealing with grief over the death of her father, she returns to Japan after the tsunami to bury the bones of her grandfather and explore how the Japanese grieve.


            Marie did what I would want to do, if I had the chutzpah and spoke Japanese. She traveled like a pilgrim, visited Buddhist monasteries and religious sites, spoke to their leaders about grief, the differences between Buddhist sects, and participated in various rites and meditation rituals.

            Coming from a Western culture that has largely forgotten how to grieve, Marie details the grieving rituals of Japan that, although fading, still provide an effective way for people to deal with their sorrow in the first years and over the decades. As she describes and joins other pilgrims, we watch Marie travel through her own stages of grief.

            As her family prepares for the funeral, we learn about the communal and individual mourning of the survivors of the tsunami, beliefs about the passage of the dead to the afterlife, the honoring of the departed at household shrines, the welcoming of the dead back each year at the Obon festival, the sending of candles and spirits floating away on the water, the sorting of bones with chopsticks after cremation, and communicating with the dead through mediums.

            The truths about grief that people in all cultures face are reinforced—there is a time when we have to let go of our dead so that we can move on, that people have to adjust to loss, and that the dead always remain in our hearts. 

            I appreciate how Marie explains Japanese customs, particularly wabi sabi, the belief that a perfect moon is even more beautiful when it is partially obscured by a cloud, an earthen tea bowl when its surface is slightly marred, or the blossoms of cherry trees when they are just past their peak and petals are beginning to drop onto the ground. This is the celebration of beauty and the acceptance of the impermanence of all life. 

            Marie tells us about people like Kaneta Taio, a Zen Buddhist priest, who prepares himself to care for the thousands of tsunami survivors by listening to Thelonius Monk; Hara Sanaeko, the wise woman innkeeper at desolate Mount Doom; and Sempo, the cousin of Marie’s mother, as he tries to save the family’s temple near the radiation area of the Fukushima nuclear reactor.

            This book has a treasured spot on my shelf.

No comments:

Post a Comment